Markus (Warlike), Technique – Sonic Installation Art presented as Video with Audio, Year of production 2021
《马库斯（好战）》在某种程度上满足了我们每一个人，对家庭生活和战争的欲望，有沉默和压倒性的噪音，也有被包裹和被闭合的感受。认可重复的日常生活，同时也提供身心休息之处。《马库斯（好战）》最终成为一种冥想，我们在身心休息之处得以重写人类所期望的生活方式。
Markus (Warlike) goes some way to give each of us satisfaction by representing the desires of domesticity and war, silence and overwhelming noise, being enveloped whilst shutting down. Acknowledging the reality of a daily life cycle whilst providing a place of sanctuary. Markus (Warlike) is meditative with the conclusion that we can rewrite our lifestyle expectations of human experience in the place we find sanctuary.
丽贝卡·奥克波蒂的主要创作和学术成果涉及通过声波装置艺术和音乐研究“居家感”。她的工作重点是如何在声波装置艺术中回归家园，以及装置音乐作品如何与空间、雕塑和乐曲的互动。丽贝卡·奥克波蒂正在攻读声波装置艺术的博士学位。
Rebekah’s primary creative and academic outputs concern the investigation of Domesticity within Sonic Installation Art and music. Her work focuses upon how the Repatriation of Domesticity within Sonic Installation Art and the role of Installed Musical Composition to facilitate engagement with the Space, Sculpture and Composition. Domesticity, articulated as Poise and Void by virtue of music. Rebekah is studying for a PhD in Sonic Installation Art.