我的艺术是以摄影为中心的，常常受到科技的影响。在“新媒介”的范畴内，我拥抱数字化所赋予作品的美学张力，让数字化去重新定义作品，提出新的问题。
My photographic-centered art has always been shaped by technology. Working within the realm of “New Media,” I embrace the aesthetic tension that digital materiality imposes on my work to redefine it and offer new questions about it.
他们的母亲，数字照片拼贴，收藏级粗面纸，61 x 76cm，2022
La Loro Madre, digital photomontage, archival rag paper, 61 x 76cm, 2022
A Daydream, digital photomontage, archival rag paper, 61 x 76cm, 2022
The Last Eden, digital photomontage, archival rag paper, 61 x 76cm, 2022
我所使用的软件所具备的固有特性，以及我从丰富的工具菜单内所做出选择，对于作品的发展都是同等重要的。
The inherent features of the software I employ are as important in directing my work as the choices I make within their vast menu of tools.
B女士，数字照片拼贴，收藏级粗面纸，61 x 76cm，2022
Madam B, digital photomontage, archival rag paper, 61 x 76cm, 2022
Leonora’s Hands, digital photomontage, archival rag paper, 61 x 76cm, 2022
Paradise Lost, digital photomontage, archival rag paper, 61 x 76cm, 2022
卡罗尔·格林南·布尤科斯在美国密歇根大学获得学士学位，她的摄影作品有着19世纪风景画般的浪漫气质和怀旧感，尽管它们是使用21世纪的工具创作出来的。曾在国际范围内展出自己的艺术作品，与不同艺术家和策展人有过合作。
Carol Greenan Bouyoucos received a BFA from The University of Michigan, Ann Arbor. Carol’s digital photographic works evoke a romanticism and nostalgia of nineteenth century landscape painting, though created with distinctly 21st century tools. She has exhibited her work internationally, and considers her most successful efforts to be her collaborations with fellow artists and curators. Carol Greenan Bouyoucos lives and works on a nature preserve in New York State.