卡门·伊萨西 Carmen Isasi

在绿色中解构,数码视频,1920 x 1080 pixels, 2022
Deconstruction in green, video digital, HD 1920 x 1080 pixels, 2022
https://vimeo.com/735539540

我的创作就像是道路,它会不断拓宽、分叉,之后再从另一个视角和方向在回到同一片地区。作品从具象的线条开始出发,经过概念打磨,变得更加轻盈,更加抽象。在我目前的创作中,会使用到多种不同的媒介。

My creative line has drawn a path that has been widening and bifurcating into many others to return later to common places from another perspective and intention.
Starting from a figurative line of work, conceptual refinement led me to increasingly lighter and more abstract works, with abstraction, worked with different media at present, being the line of work that occupies the bulk of my work.

伤口II,数码视频,1920 x 1080 pixels, 2021
Wounds II, video digital, HD 1920 x 1080 pixels, 2021
https://vimeo.com/698106817

我将自己定义为多学科艺术家,因为长期从事研究实验,同时融入作品项目需要新的媒介和新语言。
曾在西班牙巴斯克大学学习绘画,后前往马德里,在马德里自治大学艺术美学与理论专业进修研究生学习。曾参加马德里美术学会的工作坊,在马德里Propuesta 92和阿姆斯特丹Propuesta等地展出作品,当时的创作围绕工业废弃物展开,其中还有关于物质的绘画作品。
新的艺术项目将我带向了新媒介的方向,这包括装置和表演。逐渐还在作品中融合了照相制版、摄影、摄影书、艺术家书籍、视频等不同内容,最近还涉足了虚拟现实。
I consider myself a multidisciplinary artist, due to my permanent research and experimentation and to the fact that I have incorporated new media and languages as projects and works have demanded.
With a degree in Fine Arts, specialising in Painting, from the University of the Basque Country (Spain), in my beginnings I worked in painting and drawing with a figurative intention, from which I progressively moved away until, after a period of purification, I approached abstraction. In Bilbao I had my first individual and collective exhibitions.
In the 1990s I moved to Madrid, where I currently live, to study for a Master’s degree in Aesthetics and Theory of the Arts at the Autonomous University of Madrid. I also took part in the workshops of Contemporary Art at the Crculo de Bellas Artes in Madrid, led by Chema Cobo and Nancy Spero, and was selected to participate in the exhibition Propuesta 92 (Madrid) and Propuesta (Amsterdam), where, interested in industrial waste, I presented a painting that gave prominence to matter.
New projects lead me to incorporate new media in my work, such as installations and performances.
I progressively incorporate photoengraving, photography, the photobook, the artist’s book, video and, more recently, virtual reality into my work.