《这属于每一个人，请欣赏风景》 数码摄影 70x50cm 2020
This belongs to everyone, so enjoy the view, digital photography, 70x50cm, 2020
《这属于每一个人，请欣赏风景》通过数码摄影描绘了自然景观的变迁。支离破碎的块面构成了一幅虚构的抽象全景图。每一种地貌代表了数码世界和真实世界里一种时间和空间的变体。这些从谷歌地球获取、拼凑起来的景象，旨在表达在人造工具的干预下一个地点如何呈现出多种样貌。高空景观拍摄设备以数码格式捕捉下这些变形，而这些变形的出现正归因于人类活动所造成的地球变暖。这两种变化都表现了人类活动对自然景观所造成的不可预测的更改。
This belongs to everyone, so enjoy the view’ depicts the alteration of landscapes through digital topography. The fragmented areas compose an ensemble of imaginary, abstract panoramas. Every pattern of land represents a variation of time and space in both the digital and physical world. These patchworks of sceneries taken from Google Earth express how diverse a location on our planet can appear through a manmade apparatus. These transfigurations were digitally seized by a dispositive used to capture landscapes from above, but also physically transformed by the global warming produced by human beings. Both changes depict the unpredictable development of landscape altered by human’s behaviour.
奥雷莉·克里塞蒂格，生于1992年，瑞士摄影师、视觉艺术家。她将摄影作为一种工具，探讨在充斥着数码产品的世界里，人类记忆所发生的变化。她创作的电影和数码摄影作品，反映出人们持续地使用机器设备进行记录，特别是在公共场所和文化场馆内。克里塞蒂格在瑞士洛桑获得艺术史和电影研究的学士学位，随后前往纽约电影学院完成了8周的摄影进修课程。2018年获得伦敦艺术大学摄影硕士研究生学位。
Aurelie Crisetig (b. 1992) is a photographer and visual artist from Switzerland. She uses photography as a tool to explore the alteration of human memory in a world overwhelmed by digital entities. Working both with film and digital photography, her works reflect on the constant use of mechanical recordings, especially in public and cultural places. After graduating with a BA in Art History and Film Studies in Lausanne, she completed an 8-week photography program at the New York Film Academy in New York. In 2018, she graduated with an MA Photography from UAL: University of the Arts, London.