此次展览呈现艺术家傅文俊创作的两组油画系列作品《信手拈来》和《岁月静好》。这两个系列是艺术家多年来在多元文化背景下做出的跨文化实践，展现出现代生活背景下艺术家对中国传统文化内涵的理解与阐释。
傅文俊在“调和中西”的理念下，采用后现代的解构、挪用和并置的方式，将中国传统水墨与西方现代油画进行多方面的“调和”。在没有改变笔墨语言构架的前提下，把传统文化放置在国际艺术的范畴中来。他将中国传统的写意语言与西方古典的写实语言作为画面表达的基本技法，赋予画面虚实相生的视觉效果，利用穿越式的视觉观感充分诠释创作意图。
他坚持应该以平和内敛的心态，与传统文化内涵进行深度的对望，而不是生活在对传统文化漂浮的想象中。放慢脚步，在相互、多次的对望中抓住传统的内涵。在傅文俊看来，“传统的精髓就像我画作中的那片云，随着时间的推移它在形态上拥有了无数次的变化，但其实质并未改变。改变的只是观看者的思绪与感悟。”

This exhibition presents two series of oil paintings created by the artist Fu Wenjun, “Pick at Random” and “Quiet Leisure”. These two series are cross-cultural practices that the artist has made for many years under a multicultural background, showing his understanding and interpretation of the connotation of traditional Chinese culture in the context of modern life.
Under the concept of “harmonizing Chinese and Western”, Fu Wenjun uses post-modern deconstruction, appropriation and juxtaposition to “reconcile” traditional Chinese ink art and western oil painting in many ways. Without changing the structure of pen and ink language, traditional culture is placed in the category of international art. He applies Chinese traditional freehand and Western classical realism as the basic techniques of artistic expression, giving the painting a visual effect between virtual and reality, and fully interprets his creative intentions with a transversal visual perception.
He believes that he should have a peaceful and introverted mentality and in-depth look at the connotation of traditional culture instead of living in the imagination of it. Slow down and grasp the connotation of tradition in mutual and repeated encounters. In Fu Wenjun’s view, “The essence of tradition is like the cloud in my paintings. It has undergone countless changes in form over time, but its essence has not changed. What has changed is only the viewer’s thoughts and understanding.”