这件作品把笔直的立方体和网格折叠成其他可能的形状。利用布料模拟、3D 图形和视频游戏让布料运动，使立方体变形。
This work takes the rigid cube and grid and folds them into other possible shapes. It engages with cloth simulation, a tool used in 3D graphics and videogames to render realistic cloth movement, to deform the cube, which Sol Lewit was notably interested in for its seemingly being the simplest 3 dimensional shape.

在几何学的框架内，我们常常认为这些立方体被变形、拉伸为不同寻常的形式。但从拓扑几何的角度来看，它们仍然是立方体。这是因为它们没有被撕裂、形成褶皱，也没有添加孔。尽管它们是抽象的，接近极简和观念艺术，它们会不断变成一个个形象。
In the framework of geometry we think about most commonly, these cubes are distorted and stretched into many unusual forms. But, from the perspective of topological geometry they remain cubes. This is because they are not torn, creased, and don’t have holes added. And despite their abstraction, and their affinity towards minimal and conceptual art histories, they constantly turn into bodily figures.