Untitled, digital drawing, 61×52.3cm, 2020
这些作品从两方面对主题做出了具有讽刺意义的阐释。首先，作品把绘画，这种传统的媒介，和数字平板电脑、手写笔，这些具有当代性的媒介，结合在了一起。These artworks embody an ironic interpretation of the theme which is two-fold. Firstly, they combine the traditional medium of drawing with the contemporary medium of the digital tablet and stylus.
Untitled, digital drawing, 61×56.6cm, 2020
Untitled, digital drawing, 61×42.9cm, 2020
其次，立体的物体描绘在二维平面上，形成的剪影限制了能够激发某种情绪或情感的色彩所构成的单一平面的扩展。And secondly, three-dimensional subjects are thus rendered in two dimensions—wherein the resulting silhouette nonetheless delimits the expansion of but one singular flat area of colour in evocation of a particular mood or emotion.
Untitled, digital drawing, 61x46cm, 2020
Untitled, digital drawing, 61×56.6cm, 2020
Untitled, digital drawing, 61×56.6cm, 2020
彼得·德文依拥有加拿大渥太华大学绘画和摄影方向的艺术学士学位。他参加过的群展有：在卡达克斯举办的“Mini Print International”，在雅典和贝洛奥里藏特的“Paratissima Skopje”，“Acropolis Remix”，在橙县当代艺术中心举行的“Into the Light”，在布达佩斯ph21画廊举办的“CorpoRealities”“Storytelling”“Silence”“Portraits Without Faces”，以及在巴萨罗那Valid World Hall Gallery画廊举办的“Urban”。
Peter Devenyi has a Bachelor of Fine Art (Cum Laude) degree specializing in drawing and photography from the University of Ottawa, Canada. His group exhibitions include “Mini Print International” in Cadaquéz, “Paratissima Skopje”, “Acropolis Remix” in Athens and Belo Horizonte, “Into the Light” at the Orange County Center for Contemporary Art, and the exhibitions “CorpoRealities”, “Storytelling”, “Silence”, and “Portraits Without Faces” at the ph21 gallery in Budapest, and “Urban” at Valid World Hall Gallery in Barcelona.