德扬·格尔巴 Dejan Grba

在《研究 7/0》中,通过一系列生成程序,探讨静态 GPS 接收器的定位误差。这个项目的想法来自于,认知映射是一种个体、非线性和不连续的时空体验及其结果的配置。我们将技术缺陷作为进一步创造性处理和表达的概念源材料。我们还研究了生成艺术中出现的有效方法,复杂系统的简单初始设置可以产生令人惊讶的现象。In Study 7/0 we explore the positioning errors of a static GPS receiver through a series of generative procedures. The project is motivated by the idea of cognitive mapping as a configuration of individual, non-linear, and discontinuous spatiotemporal experiences, and their outcomes. We use technical flaws as a conceptual source material for further creative processing and expression. We also investigate the effective approaches to emergence in generative art, where a simple initial setup of a complex system can produce surprising phenomena.

研究 7/0,生成动画,数字视频,2160 x 1920 pixels,2019
Study 7/0, generative animation, digital video, 2160 x 1920 pixels, 2019

《唤醒漩涡》是一系列持续进行的生成视频和图像,视频和图像的构建围绕着这一想法:数字光栅图像可以被视为 3D 对象,不仅可以从正面观看,还可以从任何其他侧面观看。这个过程可以理解为数字图像的线扫描。从侧面进行正交扫描,图像被视为一系列单像素宽的线,而对一组堆叠的视频帧进行正交扫描会创建一个可以动画的新图像序列,组合某些源材料,扫描面/方向,会产生有趣的结果。

Wake Vortex is an ongoing series of generative videos and images built around the idea that digital raster images can be treated as three-dimensional objects and viewed not just frontally but also from any other side. This process can be understood as line-scanning of digital imagery. Scanned orthogonally from the side, the image is perceived as a sequence of one-pixel wide lines, while orthogonal scanning of a stacked set of video frames creates a new sequence of images that can be animated, and certain combinations of source materials and scanning sides/directions produce interesting results.

唤醒漩涡:狗狗生活日,生成动画,数字视频,2128 x 2300 pixels,2016
Wake Vortex: Dog Life Days, generative animation, digital video, 2128×2300 pixels, 2016

德扬·格尔巴是一位艺术家、研究员和学者,探索生成系统的认知、技术、诗意和关系方面的特征。曾在世界多地展出、策展和教学,作品得到广泛发表。2019-2020曾担任新加坡南洋理工大学艺术设计与媒体学院客座副教授。从2005年起担任贝尔格莱德艺术大学跨学科研究生中心数字艺术项目的联合创始副教授,1998年至2020年在贝尔格莱德美术学院新媒体系创始主席和副教授。
Dejan Grba is an artist, researcher, and scholar. He explores the cognitive, technical, poetic, and relational features of generative systems. He has exhibited, curated, and taught in Europe, Asia, Australia, North and South America, and authored publications in journals, conference proceedings, and books worldwide. In 2019/2020 Dejan was a Visiting Associate Professor at the School of Art Design and Media, Nanyang Technological University in Singapore. He has served as a Cofounding Associate Professor with the Digital Art Program at Interdisciplinary Graduate Center, University of the Arts in Belgrade since 2005, and as a Founding Chair and Associate Professor at New Media Department, Faculty of Fine Arts in Belgrade from 1998 to 2020.