马格林的艺术作品就像是他生活和日常的概括；艺术家希望向观众展示一个由符号和巧合构成的世界，通过摄影引导我们探索他内心的隐秘空间。他的作品（瓷器上的数字摄影）蕴含着深刻的精神性，其中包含赋予作品象征意义的元素，试图在相对与绝对、自然与超自然之间寻找联系，仿佛在探究神经神学研究的科学联系。

Magrin’s artworks are like brackets of his life and daily routine; the artist wants to show to the viewer a world of signs and coincidences, introducing photographs in which we can explore the intimacy of his mind. His artworks (digital photographs on porcelain) enclose a deep spirituality and inside them we can find components that adds a symbolic value to the representations, researching a link between relative and absolute, natural and supernatural like to investigate scientific connections studied by neurotheology.

阿尔贝托·马格林在热那亚大学学习建筑学。他曾获得奖学金，在乌尔比诺大学与雕塑家阿纳尔多·波莫多罗（Arnaldo Pomodoro）共同学习，并短暂涉足戏剧领域。他曾获议员费里（MP Ferri）颁发的“自由奖”（Libertas Prize）视觉艺术与文学奖项，并参与了都灵“G.A.罗尔科学协会”（G.A. Rol Scientific Association）的创建，该协会旨在通过个体精神的力量来证明人类对时间的胜利。同时，他还在罗马获得了议员维塔（MP Vita）颁发的“开放艺术奖”（Open Art Prize）。在米兰的MIA艺术博览会上，他凭借米兰大学和马梅里基金会的赞助，赢得了“Punctum奖”。他还参与了国际数字艺术组织ONDA的创立。他设计了“ONDA当代艺术博物馆”，以便国际知名艺术家能够构建自己的永久空间，并在他们与永恒之间进行对话。这个项目像一种预兆和象征“永恒虚无”，代表着现代时代的衰落和重生。通过一系列捐赠，他成功创建了一个全球性的艺术画廊网络，称为“Magreen画廊”，其艺术品分布在公共和私人机构中，消除了对这些作品的个人控制或管理。这些艺术品目前收藏于世界上一些最重要的永久收藏中：大英博物馆（伦敦）、洛杉矶当代艺术博物馆（MOCA）、杜塞尔多夫库恩斯特宫博物馆基金会（Stiftung Museum Kunst Palast）、米兰奥贝丹空间（Spazio Oberdan）、德累斯顿国家艺术收藏馆（Staatliche Kunstsammlungen）、里昂美术馆（Musée des Beaux-Arts）、特伦托当代艺术公民画廊（Galleria Civica di Arte Contemporanea）、卡索里亚当代艺术博物馆（CAM Casoria Contemporary Art Museum）、圣彼得堡艾尔米塔什博物馆（The State Hermitage Museum）。出版物包括：《阿尔贝托》（个人专著 – Guardamagna出版社，2009年）、《括号》（诗集 – Il Filo出版社，2010年）、《时间的杂技演员》（诗集 – Seneca出版社，2011年）、《巧合》（诗集 – Seneca出版社，2012年）、《科学、良知、知识》（个人专著 – Il Geko出版社，2015年）、《精神自由》（个人专著 – 081grafica出版社，2018年）、《自然与超自然之间》（个人专著 – Arti Grafiche Santoro出版社，2023年）。他使用各种艺术语言，尝试新的技术。他目前生活和工作在意大利。
Alberto Magrin studied architecture at the University of Genoa. He underwent a brief stint in the theatre after having obtained a scholarship to study alongside sculptor Arnaldo Pomodoro at University of Urbino. He was awarded the ‘Libertas Prize’ for visual arts and literature by MP Ferri and collaborated in the creation of the ‘G. A. Rol Scientific Association’ in Turin, the purpose of which was to demonstrate man’s victory over time through the capacity of the individual spirit. In the meantime, he was also awarded the ‘Open Art’ prize by MP Vita in Rome. At the MIA Art Fair in Milan he won the Punctum Prize with the patronage of the University of Milan and the Maimeri Foundation. He participated in founding of the International Digital Art Organization ONDA. He designed the ‘ONDA Contemporary Art Museum’ in order to allow internationally renowned artists to construct their own permanent spaces and create a dialogue between themselves and eternity. Like a premonition and a symbol of ‘eternal nothingness’, this project represents the downfall and rebirth of the modern era. Through a series of donations, he succeeded in creating a worldwide network of art galleries, which he called ‘Magreen Galleries’, the artworks of which are located in public and private institutions, thus eliminating every form of personal control or management over the works themselves. These artworks are currently held by some of the worlds most important permanent collections: The British Museum (London), MOCA (Los Angeles), Stiftung Museum Kunst Palast (Dusseldorf), Spazio Oberdan (Milan), Staatliche Kunstsammlungen (Dresda), Musèe desBeaux Arts (Lyon), Galleria Civica di Arte Contemporanea (Trento), CAM Casoria Contemporary Art Museum, The State Hermitage Museum (Saint Petersburg). Publications: ‘Alberto’ (Monograph – Guardamagna Editore, 2009), ‘Brackets’ (Poems – Il Filo, 2010), ‘The acrobats of time’ (Poems – Seneca Edizioni, 2011), ‘Coincidences’ (Poems – Seneca Edizioni, 2012), ‘Science, conscience, knowledge’ (Monograph – Il Geko Editions, 2015), ‘The spiritual freedom’ (Monograph – 081grafica, 2018), ‘Between natural and supernatural’ (Monograph – Arti grafiche Santoro, 2023). He makes use of every artistic language, experimenting new techniques. He lives and works in Italy.