作为一位观念和视觉艺术家，我的作品突出展现了动作所留下的痕迹以及令人着迷的重复。
As a conceptual and visual artist, my work typically features traces of gesture and obsessive repetition.
5.18.2020., archival ink on bristol, 9” x 12” (22.86 x 30.48cm), 2020; From the series Banal Déjà Vu, 2010-ongoing
5.20.2020, archival ink on bristol, 9” x 12” (22.86 x 30.48cm), 2020; From the series Banal Déjà Vu, 2010-ongoing
初看之下，它们似乎并无关联——涂有人造黄油的墙壁，18928块手工粘土饼干，实验视频——而每一个项目都是上一个的延续，并预示着之后的实验。
Although they may at first glance look unrelated—walls smeared with margarine to 18,928 handmade clay cookies to experimental video—each project is a continuation of the last and informs future experimentation.
6.20.2022., archival ink on bristol, 19” x 24”(48.26 x 60.96cm), 2022; From the series Banal Déjà Vu, 2010-ongoing
11.11.2020., archival ink on bristol, 9” x 12” (22.86 x 30.48cm), 2020; From the series Banal Déjà Vu, 2010-ongoing
这组绘画作品中，代表日期的数字在沉思、直观、自动的绘图过程中不断重复出现。在反思时间流逝的同时，也参照了艺术家河原温、罗曼·欧帕卡，素人艺术家艾玛·豪克、芭芭拉·萨克菲尔和乌尼卡·祖恩的作品。
In this group of drawings, the numerals representing the date repeat throughout a meditative, intuitive, automatic drawing process. While reflecting on the passing of time, they also reference the work of artists such as On Kawara and Roman Opalka, along with outsider artists like Emma Hauck, Barbara Suckfuell, and Utica Zurn.
Five twenty-four a.m., digital video still, 2022
B.奎因从匹兹堡查塔姆大学获得学士学位，之后在芝加哥艺术学院完成了绘画专业的研究生学习。在芝加哥工作生活期间，她的作品出现在世界多地的展览和艺术活动上。2021年春在担任富布赖特独立学者期间，她参加了在奥地利维也纳MQ21举办的艺术家驻留。2021年秋，她的首个个人展览《理发》在纽约AIR画廊举行，这一展览得到伊利诺伊州艺术委员会的资助。
B. Quinn received her B.A. from Chatham College for Women in Pittsburgh, PA, and later completed her M.F.A. in Painting and Drawing at the School of the Art Institute of Chicago. While living and working in Chicago, she has participated in numerous exhibitions and projects across the U.S. and internationally. During her appointment as a Fulbright Independent Scholar in spring 2021, she was an artist-in-residence at MQ21 in Vienna, Austria. Then, in the fall of 2021, she presented her first solo exhibition in New York, titled “The Haircut” at AIR gallery, supported by a grant from the Illinois Arts Council.