
或许是因为我的数学学习背景,我喜欢抽象,用纯粹的形式表达真实世界的核心本质。
Maybe due to my background in mathematics, I like abstraction: pure forms expressing the core qualities of reality.
吻,数码摄影,收藏级打印、亚克力板,73 x 90cm, 2022, 版数1/5
Kiss, Digital Photography, Archival print under acrylic glass, 73×90 cm, 2022, Edition 1/5

(A)Symmetry, Digital Photography, Archival print under acrylic glass, 130×85 cm, 2022, Edition 1/5
沙丘是作品中的主角,和谐的曲线和形状拥有无数种变体,这让我想到牛顿运动定律的简洁。
Sand dunes are the most fitting material for my work. Countless variations of their harmonious curves and shapes reminded me of the cleanliness of Newton laws of motion.

Torrid Iris, Digital Photography, Archival print under acrylic glass, 83×110 cm, 2022, Edition 1/5

Sage Parrot, Digital Photography, Archival print under acrylic glass, 70×90 cm, 2022, Edition 1/5
拍摄照片只是起点,用摄影将简洁的线条构成全新的图像,需要精心研究。我希望产生新的联系,注入新的意义,这样反过来,才能激发从原始记录对象中解放出来的情绪。
Taking a picture is just the beginning of the path. It is a search for photographic Equivalents in which simple lines form a new imagery, which evokes fresh associations and meanings, which in turn stimulate emotions freed from the original recorded object.

Temptations, Digital Photography, Archival print under acrylic glass, 100 x 66cm, 2022, Edition 1/5
屋脊向上,数码摄影,收藏级打印、亚克力板,120 x 67cm, 2022, 版数1/5
Hip Way Up, Digital Photography, Archival print under acrylic glass, 120 x 67cm, 2022, Edition 1/5

Boguszak一位在捷克布拉格工作生活的摄影艺术家。从数学专业毕业后,他继续完成了社会学的博士学位。他的艺术创造受到约瑟夫·苏德克、安塞尔·亚当斯和阿尔弗雷德·斯蒂格利茨的影响,同时在数学方面对抽象模型的学习和研究的启发。对风景中的抽象和经典照片的再现是其作品的探索方向。
三十五年来,Boguszak通过早期前卫派的实验方法确立了自己的创作方向。从传统摄影到数字摄影,Boguszak通过使用复杂的处理和印刷技术创建起他的视觉词汇。从 2019 年开始,推出一系列职业生涯里程碑意义的沙丘摄影,展现了具有全新意义的多彩梦境。
Czech-born Marek Boguszak is a photographer based in Prague. After graduation in mathematics, Marek completed his PhD in sociology. He was greatly influenced by the aesthetics of Josef Sudek, Ansel Adams and Alfred Stieglitz as well as by his training and work in mathematics studying abstract models. His body of work is an exploration of abstractions in landscape and classic photography representation.
In thirty-five years, Marek has established himself by recalling experimental methods of the early Avant-garde. From analog to digital, Marek developed his visual vocabulary by working with sophisticated processing and printing techniques, both analogue using silver gelatin and digital under glass. Since 2019, his focus has been on creating a significant series of sand dunes photography, presenting colorful dreamscapes with new meanings.