德米特里乌斯·文格拉茨克 《遗迹》 2022
Demetriusz Wenglarczyk, Remains, 2022


德米特里乌斯·文格拉茨克 《慢梦》 2022
Demetriusz Wenglarczyk, Slow Dream, 2022
我想创作一组照片,描绘某种无形且神秘的事物,但同时又是熟悉的,某种存在于我们内心的东西,但我们不知道如何用言语表达,也不知道如何把握它。一个雾蒙蒙的十一月夜晚,我走出城市,利用熟悉的元素,如车灯和树木,通过恰当的构图、在后期制作中为某些图像增添光线,创造出一种梦幻般的场景。
I wanted to create a series of photographs that depict something intangible and mysterious, but at the same time familiar, something that is inside us but we don’t know how to put it into words., how to grasp it. During the foggy november evening I went out of the city and used familiar things like car lights and trees, and with the right framing and adding light to some of the images in post-production, I created an oneiric setting.








德米特里乌斯·文格拉茨克是一位居住在波兰三联市的摄影师,拥有一颗充满梦想的心,热爱独立美学,并带有怀旧的视觉视角。他出生于1990年,成长于波兰民主转型的初期,在这个充满巨大变化与对更美好未来满怀希望的氛围中长大。他的成长环境仍然带有模拟和本地的感觉,尽管世界正迅速迈向数字化和全球化,这在很大程度上影响了他的作品和对生活的看法。在外来电影和音乐的熏陶下长大,同时常感到被低估和被评判,他在二十多岁时开始接触摄影,那时他不再感到需要向他人证明自己。摄影使他摆脱了外界的期望,重新获得了主动权。2024年,他的摄影作品被选中在希腊雅典的Blank Wall Gallery展出。目前在网站photographonpaper.com上发表自己的作品并撰写有关摄影的文章。
A Tricity-based polish photographer with a dreamy heart, a love for indie aesthetics and a nostalgia-filled visual perspective. Born in 1990, he grew up in the first years of Poland’s democratic transition, in an atmosphere of great change and hope for a better future. He was brought up in a world that felt still analogue and local, although rapidly changing into digital and global, which largely influences his work and way of perceiving life. Raised on a love of foreign films and music, and a sense of being constantly judged and undervalued, he took up photography in his late twenties, when he no longer felt the need to prove himself to others. Photography freed him from expectations and gave him back the initiative. In 2024 his photographs have been selected to be exhibited in Blank Wall Gallery in Athens, Greece. He is publishing his works and writing about photography on the website photographonpaper.com.
