
Fu Wenjun, Green Hills and Blue Waters No.1, 2014

Fu Wenjun, Green Hills and Blue Waters No.2, 2014

Fu Wenjun, Green Hills and Blue Waters No.3, 2014
我走过世界许多地方,眼见了许多的摩天大厦,那雄伟挺拔证实着人类的伟大。如哥特建筑一般,它们是人类走向崇高的阶梯。但人类忘记了,与崇高伴生的是悲情,人类伟力的背后同样显示出人类的脆弱与孤独。农夫写不到诗歌,因为自然对于他们是隐没的。当都市再无青山绿水,青山绿水便成就了诗歌与艺术。
I have traveled to many corners of the world and seen countless soaring skyscrapers—majestic and towering, they stand as monuments to human achievement. Like Gothic cathedrals, they are stairways toward the sublime. Yet humanity often forgets that the sublime is inseparable from sorrow. Behind the grandeur of human power lies a profound fragility and solitude. A farmer may not write poetry, for to them, nature is hidden in plain sight—too near, too lived. But when the city no longer holds mountains or rivers, it is the absence of those very landscapes that gives rise to poetry and art. In losing nature, we begin to long for it—and in that longing, we create.

Fu Wenjun, Green Hills and Blue Waters No.4, 2014

Fu Wenjun, Green Hills and Blue Waters No.5, 2014
傅文俊,中国当代艺术家,毕业于四川美术学院,主要从事数字艺术、摄影、装置、雕塑、油画、综合媒介的艺术创作,提出并创立了“数绘摄影”艺术流派。
傅文俊以他的数绘摄影,探索摄影与中国画、油画、装置、雕塑等其他艺术形式进行对话,在当下的数码时代拓展艺术的边界。透过摄影和其他艺术形式互相配合,把看似难以理解的讯息转化成平易近人的概念,反思历史与人文的各种问题。
中国美术馆、重庆美术馆、广东美术馆、西班牙巴塞罗那欧洲现代艺术博物馆、香港大学、北京今日美术馆、北京圆明园遗址博物馆、美国纽约联合国总部等机构曾举办傅文俊个人展览;他受邀参加首届亚洲双年展暨第五届广州三年展、意大利佛罗伦萨双年展、葡萄牙塞尔维尔双年展、第三届塞浦路斯拉纳卡双年展、德国北部艺术区国际艺术大展(NordArt)、“未曾呈现的声音”第55届威尼斯国际艺术双年展平行展、意大利罗马视觉艺术三年展等重要国际艺术展览。
Fu Wenjun, a Chinese contemporary artist, graduated from the Sichuan Fine Arts Institute. He creates principally with digital art, photography, installation, sculpture, oil painting, mixed media, and has put forward the concept and practice of “Digital Pictorial Photography”.
With his Digital Pictorial Photography, Fu Wenjun intends to explore to place photography art in dialogue with other art media, including Chinese painting, oil painting, sculpture, as a result to extend the border of art in the current digital age. By demonstrating the complementary relationship of photographs and other modes of artistic practice, Fu Wenjun transforms what may seem to be an inaccessible message into a highly approachable concept that can trigger critical thought about history and humanity.
National Art Museum of China (Beijing), Museu Europeu de Arte Moderno (Barcelona), The University of Hong Kong (Hong Kong), Today Art Museum (Beijing), Chongqing Art Museum (Chongqing), Guangdong Museum of Art (Guangzhou), Old Summer Palace Museum (Beijing), United Nations Headquarters (New York), and other international art organizations presented Fu Wenjun solo exhibitions.
His works are exhibited at significant international exhibitions, including 1st Asia Biennial/5th Guangzhou Triennial, Bienal de Cerveira, Larnaca Biennale, NordArt, collateral exhibition of Biennale di Venezia 2013, entitled Voice of the Unseen Chinese Independent Art 1979/Today, Esposizione Triennale di Arti Visive a Roma, Biennale d’Arte Contemporanea di Salerno.
