这些从城市流动中采样的极简构图，隔离并突出了引人入胜的并置。
图像中有窗户和围栏的层叠反射，以及巷道和停车场的景象。这些图像大多没有人类的存在，除了偶尔的客串。
一种人为的秩序被强加。当从某个角度看时，事物便会恰好到位。之前没有照片，直到拍下照片的那一刻。
Sampled from the urban flux, these minimal compositions isolate and highlight intriguing juxtapositions.
There are layered reflections in windows and screens of chainlink fencing, as well as peeks down alleys and into parking lots. The images are mostly devoid of human presence, except for the occasional cameo.
A kind of artificial order is imposed. Things click into place when seen from a certain vantage point. There is no photograph until there is one.

加里·杜尔被国际艺术评论家协会评为新英格兰地区最佳新兴艺术家，并获得了马萨诸塞州文化委员会的摄影艺术家奖。他的作品曾在包括波士顿当代艺术学院、纽约现代艺术博物馆PS 1、洛杉矶县立艺术博物馆和古巴哈瓦那国家美术博物馆在内的博物馆和画廊展出，还在东京、威尼斯、斯德哥尔摩、伦敦和巴塞罗那等地参展。他曾获得LEF基金会和洛克菲勒基金会的资助。
他的公共艺术作品包括为加拿大地铁系统制作的视频艺术作品；由新英格兰艺术基金会的“可见共和国”项目资助的照片装置，以及由马萨诸塞湾交通局（MBTA）委托在北站永久展示的照片装置。
杜尔还为《ArtScope》、《新英格兰艺术》、《纸上艺术》、《传播艺术》、《Frieze》和《公共文化》等期刊撰写艺术评论。目前，他管理波士顿南端的布罗姆菲尔德画廊。
Gary Duehr has been chosen as a Best Emerging Artist in New England by the International Association of Art Critics, and he has received an Artist Grant in photography from the Massachusetts Cultural Council. His work has been featured in museums and galleries including the Institute of Contemporary Art, Boston, MA; MOMA PS 1, New York, NY; Los Angeles County Museum of Art, Los Angeles, CA; and Museo Nacional de Bellas Artes, Havana, Cuba, as well as exhibitions in Tokyo, Venice, Stockholm, London and Barcelona. Past awards include grants from the LEF Foundation and the Rockefeller Foundation.
His public artworks include a video artwork for the Canadian subway system; a photo installation funded by the Visible Republic program of New England Foundation for the Arts, and a commission from the MBTA (Massachusetts Bay Transit Authority) for a permanent photo installation at North Station.
Duehr has written about the arts for journals including ArtScope, Art New England, Art on Paper, Communication Arts, Frieze, and Public Culture. Currently he manages Bromfield Gallery in Boston’s South End.