《无人之时》通过人的感知来接近时间——它们呈现出支离破碎的记忆、视觉回声与永远无法完全清晰的痕迹。
No One’s Time approaches time through human perception—fragmented memories, visual echoes, traces that never fully resolve.

杰拉尔德·特里梅尔是一位常驻维也纳的媒体艺术家、作曲家与文化学者。他的创作通过视听与生成性过程，探讨感知、记忆与时间性的交互关系。自20世纪80年代中期以来，他便将模拟素材、实地录音与算法转化结合，构建出在流动与破碎之间振荡的视觉与声音结构。
他曾师从迪特·考夫曼（Dieter Kaufmann）学习电声作曲，并拥有历史学、语言学与艺术治疗等多个学术学位。他近期的项目聚焦于非线性时间结构、缓慢形态演变以及“控制”与“涌现”之间的张力。他的许多作品被构思为视觉上的“时间场域”，通过循环序列与多层图像结构展开。
特里梅尔曾获得奥地利电子艺术大奖（Prix Ars Electronica）与路易吉·鲁索洛奖（Luigi Russolo Prize）的荣誉提名。他的作品曾在全球展出，包括波哥大国际图像节（Festival Internacional de la Imagen）、巴黎联合国教科文组织、以及维也纳科学与技术博物馆等地。他也是奥地利电声音乐与声音艺术研究领域的重要文献合著者之一。
他目前的创作重点是《控制论画布》系列（Cybernetic Canvas）——这是一组动态数字绘画作品，将时间视为一种多孔、可变的物质，常以圆形格式设计，用于沉浸式投影环境之中。
Gerald Trimmel is a Vienna-based media artist, composer, and cultural scientist. His work explores the interplay of perception, memory, and temporality through audiovisual and generative processes. Since the mid-1980s, he has combined analogue material, field recordings, and algorithmic transformations into visual and sonic structures that oscillate between flow and fragmentation.
He studied electroacoustic composition with Dieter Kaufmann and holds academic degrees in history, philology, and art therapy. His recent projects focus on nonlinear time structures, slow morphologies, and the tension between control and emergence. Many of his works are conceived as visual “temporal fields” unfolding across looped sequences and layered image strata.
Trimmel has received honorary mentions at Prix Ars Electronica and the Luigi Russolo Prize. His works have been presented internationally, including at the Festival Internacional de la Imagen (Bogotá), UNESCO (Paris), and the Vienna Museum of Science and Technology. He is co-editor of foundational publications on Austrian electroacoustic music and sound art.
His current focus lies on the Cybernetic Canvas series—dynamic digital paintings that examine time as a porous, mutable substance, often designed in circular formats for immersive projection environments.