这一系列摄影作品起始于摄影师母亲生命的凄美终章，挑战传统的叙事结构。通过重新排列与母亲的过去、现在及其随后与逝世相关的时间和空间元素，这些图像揭示了静止的内在品质。

Beginning with the poignant end of the photographer’s mother’s life, this series of photographs challenges traditional narrative constructs. By rearranging the temporal and spatial elements associated with the mother’s past, present, and subsequent demise, the images shed light on the inherent qualities of stillness.

这一系列提供了对家庭现实的生动窥视，展现了在悲痛中的家庭真实情感，同时开启了关于死亡这一更广泛话题的视觉对话。这些摄影作品作为一个深思的平台，让人思考在失去之后家庭关系的演变动态。

This collection offers a raw glimpse into the familial realities amidst grief while opening a visual dialogue on the broader subject of death. The series of photographs serves as a thoughtful platform to ponder the evolving dynamics of family relationships in the aftermath of loss.

郝月含，生于2000年，毕业于首都师范大学科德学院摄影系。她的创作主要以影像为媒介，从日常的观察与反思出发，探讨生命自由意识与身体意象的联系。作品曾入选2024年Aesthetica艺术奖长名单、2023丽水摄影节，于上海、伦敦、格林维尔、圣保罗等地展出。

Yuehan Hao (b.2000) is an artist who focuses on visual creation. Graduated from the kede College of Capital Normal University, majoring in photography. The work takes as its theme the dialectical and contradictory relationship between the stillness of life and the retention of photography. It reflects on the relationship between the mother’s death and the changes in family relationships and creates discussions around the correlation between the spiritual consciousness of life and the body’s images. Her work has been exhibited in Shanghai, London, Greenville, Sao Paulo, and published in art magazines, spreading worldwide.