施图克尔先生 Herr Stückle

施图克尔先生 《交通高峰期》 2024
Herr Stückle, Rush Hour Traffic, 2024
施图克尔先生 《救援直升机》 2024
Herr Stückle, Rescue Helicopter, 2024

《等待》这一系列是使用木制针孔相机拍摄的,该相机具有弯曲的投影表面,使用120胶片,负片格式为6×17厘米。光圈为f300,带来了从0到无限的景深。曝光时间最长可达两小时。在拍摄移动物体时,通常会选择较短的曝光时间捕捉动作,或使用较长的曝光时间作为一种风格化的表达手法。移动的物体会变得模糊,时间变得可见。当曝光时间非常长时,在光圈打开时移动的物体将不会出现在照片中。在所有照片的曝光过程中,移动的物体都是可见的。相机框定了一个时间段,标题则为显而易见的内容添加了想象。如果知道照片的标题,就能知道这段时间,从而揭示看不见的内容。如果不知道,那它就只是一个片段。
The photo series “waiting” was taken with a pinhole camera made of wood with a curved projection surface on 120 roll film in negative format 6x17cm.
An aperture of f300 results in a depth of field from 0 to infinity. The exposure time is up to two hours. When photographing moving objects, a short exposure time is usually aimed for in order to capture the movement, or a longer exposure time is used as a stylistic device. The moving objects become blurred and time becomes visible. With very long exposure times, objects that were moving with the aperture open do not appear. Moving objects were visible in all the photographs during the exposure. The camera frames a period of time. The title adds the imaginary to the obvious. If you know the title of the picture, it reveals the time period and thus what you don’t see. If you don’t know it, it is only a fragment.