《失落灵魂的废墟》是一系列照片拼贴作品。这个系列有两个主要的视觉元素：鸽子和蜘蛛，它们代表马凡综合症患者，因为他们也常被称为“鸽子人”或“蜘蛛人”。在我的家庭中，我是唯一一个没有继承这种疾病的人。这让我对自己在家族中的身份以及基于传统相貌学的“正常性”定义产生了疑问。

The Ruins of Lost Souls is a photo collage series. There are two main visual elements in this series, pigeon and spider, which represent MFS patients as they are also called ‘Pigeon Men’ or ‘Spider Men’. In my family, I’m the only one who have not inherited such a disorder. This makes me question on my identity within my family, and on the definition of ‘normality’ based on the theory of traditional physiognomy.

洪澄欣（1993年出生）主要从事布景摄影和照片拼贴，通过装置和书籍形式呈现作品。她的摄影实践挑战人性的本质、传统刻板印象以及我们对代际创伤的现代理解，这种理解受到她家庭冲突的启发。在她持续的研究中，深入探讨人性的黑暗面，这种探讨源于家庭破裂的后果。在这一主题中，她目前正在研究优生学的概念以及它如何在资本主义和工业运动下影响社会对残疾（特别是遗传疾病群体）的处理和理解，无论是在历史上还是在现代世界。洪澄欣是一位视觉艺术家、研究员和艺术教育者。2016年从香港浸会大学获得视觉艺术学士学位（荣誉），并于2023年在伦敦大学艺术学院通讯学院完成了摄影硕士学位。其艺术作品在国际上展出，包括2017年的清迈摄影节、2020年的香港国际摄影节、2020年的FORMAT摄影节和2020年的哥本哈根摄影节。她的项目《壁橱里的骷髅》（2021-2022）被选为哈内姆勒学生奖的决赛选手之一，并在2023年的伦敦摄影展上展出。该项目也作为Peckham24活动计划的一部分在南伦敦画廊举办了个展。

FION HUNG-Ching Yan (b.1993) works primarily in staged photography and photo collage, presenting them in the forms of installation and books. Her photography practice challenges the nature of humanity, traditional stereotypes, and our contemporary understanding of intergenerational trauma inspired by her family’s conflicts. In her ongoing research, Hung delves into exploring the dark side of human nature, inspired by the aftermath of the family’s rupture. Within this topic, Hung is currently studying the concept of Eugenics and how it influences society’s treatment and understanding of disabilities (especially the group of people who inherit genetic disorders) under capitalism and the industrial movement in both history and the modern world. Hung is a visual artist, a researcher, and an art educator. She graduated with a Bachelor of Arts (Hon) in Visual Arts from Hong Kong Baptist University in 2016 and completed a master’s degree in Photography from the London College of Communication, UAL in 2023. Her artworks have been exhibited internationally, including the Chiang Mai Photo Festival 2017, Hong Kong International Photo Festival 2020, FORMAT Photo Festival 2020, and Copenhagen Photo Festival 2020. Her project The Skeletons In The Closet (2021-2022) was selected as one of the finalists of the Hahnemühle Student Award and was exhibited in Photo London in 2023. It is also exhibited as a solo show at the South London Gallery as part of Peckham24’s programs in 2023.