我的作品展现了一种对无法得到、难以企及的事物的向往之感。物理和情感与他人失去联系，被描绘成空间和时间的物理距离。这些作品反映了我的个人经历，作为韩裔美国人曾经在不同的人生阶段在韩国、法国和美国生活。作为研究的开始，我会查看那些记录我个人洲际旅行的照片和视频存档，这些图案和图像既暗示了地点，又暗示了通道。这些数据的视觉元素被打成碎片，再以新的形式重构。叠加拼贴起来的元素模拟了记忆被打碎、被改变。在创作过程中，数码科技充当了雕塑、物理、虚拟和观众感官体验之间的桥梁。技术也传达了远程呈现的概念，帮助我们与其他人保持联系和沟通，尽管距离遥远。投影到物体和建筑上的视频，展现了过渡的时间，用那些暂时或永久的抽象而破碎的图像来达成这一目标。通过控制动态图像的播放速度，作品是想鼓励积极又私密的互动。

My work portrays a sense of longing for what is inaccessible and out of reach. Physical and emotional disconnection from others is depicted as physical distance over space and time. My work reflects my personal experiences as a Korean American having lived in South Korea, France, and the United States at different times of my life. I begin my research by looking at photo and video archives of my local or transcontinental travel history, and the resulting patterns, and images that connote both place and passage. The visual elements of that data are fragmented and then reconstructed into a new form. Those layered and collaged elements portray the way that memories are fractured and altered. In my process, digital technology serves as a bridge between the sculptural, physical, virtual, and viewer’s sensorial experience. Technology also conveys the concept of telepresence that helps us maintain our relationships and communication with others despite the distance. Videos projected onto objects and architecture portray times of transition, with abstracted and fragmented images that are either temporarily or permanently still. With the manipulation of playback speed in moving images, my work encourages both active and intimate interaction.

Jae-Eun Suh是以来自德克萨斯的多学科艺术家，目前正在北德克萨斯大学新媒体专业攻读艺术硕士。Suh利用数码图像和投影，通过叠加和重构创造解构的构成。在她看来，层次可以增添和消除特异性，让二元性变得可视。机械和数码工具都会在她的创作中使用，而创作过程在于传达记忆的易错性。她的作品涉及多样化的媒介，从视频投影、雕塑、计算图像制作、3D扫描、声音到装置。
Jae-Eun Suh, a multidisciplinary artist from Austin, Texas, is currently pursuing a Master of Fine Arts in New Media at the University of North Texas. Suh uses digital images and projection to create deconstructed compositions by layering and reconstructing. She believes that layer adds and removes specificity and visualizes dualities. She utilizes both analog and digital methods of production and her work process conveys the fallibility of memory. Her works involve a variety of media — video projection, sculpture, computational image-making, 3D scanning, sound, and installation. Suh was recently an artist in residence at Dance x Technology Creative Lab organized by the Korean National Contemporary Dance Company, in South Korea. She has also received the Talley Dunn Gallery Equity In The Arts Fellowship and her work has been shown at the Centre Culturel et Littéraire Jean Giono in Manosque, Czong Institute for Contemporary Art in Gimpo, South Korea, and The MAC in Dallas.