
《天堂或地狱篮球比赛No.1》,AI 打印,60.9×60.9cm,2023
Heaven or Hell Basketball Game No.1, AI Print, 24×24 in, 2023
《白鱀豚No.1》,AI 打印,60.9×60.9cm,2023
Baijis Goddess of the Yangtze No.1, AI Print, 24×24 in, 2023

伦敦的Durer.ai公司邀请我尝试他们的Beta程序,对我来说,人工智能完全是新的领域,因为我一直在通过绘画进行艺术表达。
所有提交的艺术作品都是使用同一模型生成的,这是一种颠覆 – 机器在创造领域的众多可能性之一。
London based Durer.ai had offered me to try their Beta program and AI is totally new to me, as my artistic expression has been painting. Indeed, one of your gallery artists, Sebastiano Navarra and I had co-exhibited with other artists in New York and we have been corresponding via Instagram since.
All the artworks submitted were generated using the same model = a subversion – one of the many possibilities of machines in the creative realm.

Wild African Forest Elephants No.1, AI Print, 24×24 in,2023

Tapanuli & Sumatran Orangutans No.1, AI Print, 24×24 in, 2023

Sunda Tigers No.1, AI Print, 24×24 in,2023

Mountain gorillas No.1, AI Print, 24×24 inch, 2023
凯文·崔恩的艺术作品曾在西菲尔德世贸中心、萨奇画廊和苏富比展出,他的艺术实践试图理解我们这个无意义和混乱的世界,是一种参与和对话的邀请。
他近期的作品探索了介于我们的身体和外部世界之间的复杂性 – 我们的身体的外化以及我们外部世界的内化。在他的体育系列作品中,人物和运动场在画布上闪烁,同时侵占和融合了彼此。
人工智能已经成为他最近的探索性艺术活动。
Exhibited at the Westfield World Trade Center, Saatchi Gallery and Sotheby’s, Kevin Trinh’s artistic practice is an attempt to make sense of our senseless and chaotic world, an invitation of participation and dialogue.
His recent work explores the complexity that mediates our body and the exterior – the exteriorization of our body and the internalization of our exterior. In his sports series, the human figures and the sports fields flash over the canvas, while encroach and melt each other.
AI has been his most recent explorative artistic activity.