Pelulya

别让我闭嘴,综合媒介,20x28cm,2022
Don’t Shut My Mouth, mixed media, 20x28cm, 2022

未来的世界将是一个更清洁、更自然的地方,家庭和自然创造物将以不可预测的方式混合在一起,以抵御人和现代社会生活的痛苦,因为任何疾病都可以通过一次不精准的飞行传播到世界各地。
In the future world would be a cleaner and more natural place where the domestic and nature creations would mix up in unpredictable ways to stand up against the pain of the people and modern social life where any disease can spread all over the world with just one inaccurate flight.

天然溶液,综合媒介,20x28cm,2022
The Natural Solution, mixed media, 20x28cm, 2022

Pelulya是一位25岁的综合媒体艺术家,Pelulya是她的艺名,已经持续创作了5年。童年起她就生活在富有创造力的家庭环境之中:目前是一位时尚设计师,父亲写诗,妹妹画画。她发现艺术离她也很近,只是有很长一段时间找不到属于自己的方向。她学过芭蕾,画过画,之后尝试了摄影,这让她驻足。她喜欢摄影的多种视觉技巧、创作优势,当然还有摄影美学。
她持续把新技术融入作品之中,但感觉欠缺了什么……Pelulya开始将真实的物品加入其中。将数码和事物相融合,让她进入一个新的层次,开启了通向自由和独创的新道路。这种综合媒介帮助她为将自己的作品分层,并且更赋创意地表达她的思想和最深切的情感。
每件作品都以独特的方式唤起了人们在日常生活中通常不会体验到的情感。它们吸引眼球,让观众看到艺术家世界的每一个细节和角度。Pelulya通常更喜欢在作品中使用模具和日常物品,但有意思的是她把自己放入每件作品之中,不仅是思想上的,还是实体上的,以此将观看者和艺术家联系地更为紧密。


Polina Abramova is a 25 years old mixed media artist known by pseudonym Pelulya has been creating art for 5 years. She was surrounded by a creative environment from her early childhood, her mother was a fashion designer, her father wrote poetry, her sister painted, she discovered that art was also close to her, but for a long time she could not find a direction to her liking. Polina studied ballet, painted pictures, then tried shooting in photography and stopped there. Photography fascinated her with a variety of visual techniques, the consumption of benefits and, of course, aesthetics.
She continues to incorporate new techniques into her projects, but something was missing… Pelulya began adding physical objects to her works. With the merging of digital and physical, Polina reached a new level, opening a whole new path for freedom and ingenuity. By mixing media like this it allows her to layer her works and more creatively express her thoughts and deepest emotions.
Each work uniquely evokes emotions not typically experienced in the day to day. They captivate the eye and make the viewer look at every little detail and angle of the artist’s world. Pelulya often prefers to use stencils and everyday objects in her works, but the most interesting inclusion is her personal presence in each work; not only mentally, but physically, which connects the viewer to the artist in a much more closer way.