天琦对将概念摄影和纪实摄影的语言融合在一起，以一种审视的视角定位平凡事物非常感兴趣。她的作品旨在提取看似平凡的瞬间，将其放大到荒谬的程度。在她的摄影系列中，她提供了反思性的呈现，探讨了永恒与短暂、现实与理想化之间的相互作用，并以哲学探究为基础。
Tianqi is interested in blending the languages of conceptual and documentary photography to position banality within a lens of scrutiny. Her work seeks to extract seemingly mundane moments to amplify them into absurdity. In her photographic series, she offers reflective presentations that interrogate the interplay between permanence and transience, as well as reality and idealization, underpinned by philosophical inquiries.

天琦是一位视觉艺术家，拥有哥伦比亚大学艺术管理硕士学位。作为一名摄影师，她对社会规范与个人感知之间摩擦产生的对话深感兴趣。通过她的镜头，天琪捕捉到了日常生活中存在的微妙紧张和明显矛盾，用批判的眼光审视顺从、反抗及其间的空间等主题。这种方法使她能够突出社会结构的复杂动态及其对个人经历的影响，邀请观众质疑和重新审视自己的观点和周围的世界。
除了她的艺术创作，天琪在多个艺术和文化组织拥有丰富的工作经验，包括布朗克斯纪实中心、大卫·茨维尔纳画廊、惠特尼美国艺术博物馆和建筑中心。她对摄影有着浓厚的兴趣，旨在通过基于镜头的实践激发对话，并为各种艺术人才创造对话和发展的平台。
Tianqi is a visual artist with a Master of Arts in Arts Administration from Columbia University. As a photographer, she is intrigued by conversations that arise from the friction between societal norms and individual perceptions. Through her lens, Tianqi captures the subtle tensions and overt contradictions present in everyday life, employing a critical eye to examine themes of conformity, resistance, and the spaces between. This approach allows her to highlight the complex dynamics of societal structures and their impact on personal experiences, inviting viewers to question and reconsider their own viewpoints and the world around them.
Adjacent to her artistic endeavors, Tianqi’s professional experience spans several arts and cultural organizations, including the Bronx Documentary Center, David Zwirner, the Whitney Museum of American Art, and the Center for Architecture. With a deep interest in photography, she aims to stimulate conversations through lens-based practices and to create platforms for dialogue and development for a variety of artistic talent.