无数重复的脚步与印记的前行既是一种强硬的规划,也是一种看似有逻辑的构建。在这种类似生物有机体一样的试探过程中,历史被从以不一致的手法书写。
The countless repetitions of footsteps and imprints forward is both a forceful planning and a seemingly logical construction. In this process of trial and error, similar to that of a biological organism, history is written in an inconsistent manner.

王成婧,唯一正确的线,布面丙烯与油画,180x120cm,2023
Wang Chengjing, Find the Right Line, acrylic and oil on canvas, 180x120cm, 2023
王成婧于 1993 年生于山东济南,现居重庆。2017 年毕业于纽约市立大学亨特学院,主修纯艺术-油画,辅修艺术史;2019年硕士毕业于旧金山艺术大学,主修 3D 艺术。她的作品主要包括架上绘画、绘画装置与 3D 数字艺术。艺术家的作品是经由无数次对画面的“破坏-重建”这一行为的遗址与萌芽,她强调作品中的覆盖与重复的行为。艺术家在成长过程中经历几次家中变故破产与亲人的不断离世,使得她切身的体会到任何事物与人不可能永远保持单一状态恒定不变状态,正复为奇,善复为妖。面对一次次突如其来的死亡与变故,艺术家提出质疑:“是否因为其为不可撼动的自然规律就应该欣然接受。”当面对强有力的不可改变之事,只有个人的应对机制是唯一自主的。艺术家尝试用自己生活中的私密叙事转化为抽象语言以此去还原事物重复与覆盖的过程,这种偏执的重复过程是对自我内心创伤的修复,作品中的重复是对不得不逝去的事物的纪念、不肯忘却和堂吉柯德一样的荒唐无用抵抗。
Wang Chengjing was born in Jinan, Shandong Province in 1993 and now lives in Chongqing. Graduated from Hunter College, City University of New York in 2017, majoring in Fine Art-oil painting and minoring in art history; In 2019, she graduated from San Francisco Art University with a master’s degree in 3D art. Her works include paintings, installations and 3D digital art.
Her artworks are the ruins of numerous act of “destruction-reconstruction” cycles. The act of creating the work is as significant as the final presenting of my work. The artist experienced several family changes, family bankruptcy and the continuous death of her family as she grow up, which made her deeply realize that nothing can remain in a single state forever. The artist questioned: “Whether it should be accepted because it is an unbreakable law of nature.” When faced with the powerful and immutable, only the individual coping mechanism is uniquely autonomous. The artist tries to transform the private narrative in her life into abstract language in order to restore the process of repetition and coverage of things. This paranoid repetition process is the repair of his inner trauma, and the repetition in his works is the remembrance of things that have to pass away, refusing to forget the absurd and useless resistance like Don Quixote.
