在这些自画像中，想象的未来与过去共存、交叠、彼此折叠。
这种“折叠”在礼服与面纱僵硬且几何化的轮廓中得以呼应，促使观者在每一幅肖像之间，想象出多重时间线与人物关系。
画中人物被时间所解锚，一张图像中同时承载着对不同时代的指涉与回响。
刻意营造的情感模糊性增强了诠释的开放性，既是邀请观者建构自己的叙事，也是一种允许观者放弃叙事的自由。
In these self-portraits imagined futures and pasts co-exist and overlap, folding into one another. This folding, echoed in the stiff and geometric outlines of dresses and veils, encourages the viewer to imagine multiple timelines and relationships between the individual portraits. The subject is temporally unmoored, with references to and echoes of different eras within a single image. A deliberate emotional ambiguity adds to the openness of interpretation, an invitation to the viewer to create their own narrative or to forego narrative altogether.